The rules: get tagged. Tag two people. Answer questions. Hope your tag-ees answer the questions. The two people I'm tagging: amazingly smart, witty, and genuine Katie Pruitt and Danee Pye who is a crisp well of creative ideas, grace, and elegance. Once, they both worked together to keep me alive. I owe them more than I give - I regret it almost on a daily basis. (I am sorry)
They both deserve your readership, but mostly, your respect as amazing people and great writers.
The questions:
1. What are you working on?
MFA. That's what I'm working on -- holy shit. And life. I can't express the amount of overwhelming all things are right now. I'm lucky if I can spit out a poem once a week. This winter was a wick to all goodness in my life - sopped that shit right up and has left me a shell. Summer is working her sweetness and I'm trying to pick up the little pieces of shiny that might be left and shake them down into this hollow mess of a heart. School and staying alive, that's what I'm working on. Artistically, I'm working on line breaks. And how to handle negative critiques. I have in my headspace an idea bumping into braincells -- I'd like to write a series of HOW TO poems. I have two that I loved writing; I think it'd be fun. And also, poems on or about or mentioning saints. But those are future messes to tidy up at a later date.
2. How does your work differ from other writers in your genre?
I don't know. I'm figuring that bullshit out as a I go. I'm a strong defender in the idea that no poem is original - I'm' just telling it from my fucked up perspective. So, in that way, I guess I'm different: I'm a foul mouthed hillbilly who has a serious drinking problem laced with an ever decreasing self-worth. Putting it that way, though, tosses me in the bag with lots of you chumps out there, right? :) I once had someone tell me my voice can sometimes be "Southern Gothic". I'll hold on to that. Oh, he also said I had a knack for creating moments and disregarding narrative. I don't know if that was a positive.
3. Why do you write?
Like Brett, and I suppose many writers, I've written forever. There was never a genesis like, it just always was. I have a weirdly saturating sadness that I can't understand - so I put words together. Over christmas I found an early story (holla' to my fiction roots) I had written maybe in the first grade called A Sad Day. It was about a baby bird who died. AAaaaaand, there you go. Basically: I write because I have to, you know?
4. What is your writing process?
Well... that has changed significantly since I've started this Bennington gig. I used to get really sad (so easy to do), drink cheap wine or whiskey, and write the night away. Now, I get all fizzy-stomached and nervous and think about how shit is going to get shoved through a meat grinder. I try to suppress that. And then I write. Lately, I haven't been happy with anything I've created. And it's been a hurtful few months. It'll happen again. In the mean time, I carry my notebook where ever I go. I get ideas from phrases I hear during the day or standing in line for coffee or wrangling the ache I have for western adventures. It comes and goes and if it's not there, I write anyway. Not so much a process. Just a way of life, right?
Thanks, Brett. Love you.
